Williamson’s post-Stooges tale is nearly as compelling as that of the band’s own debauched early-’70s trip. From the visceral guitar assault of tracks like “Search and Destroy” to the moody riffs of “Gimme Danger” to the psychedelic meanderings of “I Need Somebody,” Williamson’s 6-string is the true bedrock of Raw Power, and there is no doubt that his contributions to that highly influential album will continue to echo through the lexicon of guitar music for decades to come. Williamson was tasked with guitar and co-songwriting duties in the Stooges after the band’s original guitarist, Ron Asheton, was relegated from guitar to bass amid the incredible turbulence that characterized the Stooges’ world in the early ’70s. Williamson’s guitar work on Raw Power is imprinted within punk rock’s very DNA, from the records coming out of New York City in the early ’70s to the British class of ’77. For its bare simplicity as an all-in-one guitar, the SB55DC/v proves less is certainly more.James Williamson’s simple, violent rhythm work, searing leads, and iconic raunchy distortion on “Search and Destroy”-and all of the Stooges’ Raw Power-helped light the fuse and inform the sound of the punk rock revolution as it was ripe to explode. Sure, it’s clichéd, but the pickup nails all the requisite clang and wide-open sound necessary for raucous rock and blues, and alternatively, sparkly smoothness for lilting country or buoyant jazz. The electronic superstar here is the sole Lollar “50’s Spec” DogEar P90 that kicks the guitar up a notch in brillianceĬall me biased, but I’m a fan of Lollar pickups, so the electronic superstar here is the sole Lollar “50’s Spec” DogEar P90 that kicks the guitar up a notch in brilliance. (Image credit: Eastman Guitars)Ĭomfortably slim and grippy is the best way to describe the vintage-style carve of its neck, which has a softly rounded C-profile with a slight V running down its center, and the gorgeously dark ebony fretboard with medium/jumbo frets makes bluesy-bending sinfully easy. The guitar’s single Lollar “50’s Spec” DogEar P-90 is an articulate low-output bridge pickup that produces a lively attack with no hard edges and a real top-end shimmer. The guitar comes equipped with a Lollar “50’s Spec” DogEar P90 in the bridge, and a CTS 500K volume and No-Load tone pot that bypasses itself when dimed, and acts as a standard tone pot when set below 10. Suffice to say, the see-thru antique vintage red varnish looks exquisite, and the custom tortoise Bakelite pickguard adds authentic vibe.įrom there, everything else selected is pure custom shop treatment, with a cap-less one-piece okoume mahogany solid body and one-piece set okoume mahogany neck, ebony fretboard with 22 Jescar frets, Faber compensated bridge and Faber tuners with vintage-style oval knobs. The see-thru antique vintage red varnish looks exquisite, and the custom tortoise Bakelite pickguard adds authentic vibe Eastman’s six-step hand-applied varnish technique and mild ageing that concludes with French polish originates from their custom violin shop, so it feels delicately plush against your skin, and it’s exactly this attention to detail that elevates it from an ordinary off-the-line guitar.
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